Unknown, likely from 1960s
Ceramic
45 W x 15 H x 43.5 D cm
Signed by artist
France
Private Collection
On the Work
This large coupe comes from the Vallauris workshop Albert Thiry (1932–2009) opened with his wife Pyot Gavaudan in 1961, after training at the Tapis Vert atelier alongside ceramists Marcel Vertès and Anton Prinner. Working in chamotte clay, the pair developed a distinctive technique of incised, engraved decoration, Albert typically throwing the forms while Pyot completed the drawing, finished in pale enamel tones with contrasting accents of color.
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Albert Thiry
He created large symbolic totem figures exploring the human condition, alongside a distinctive technique of incised decoration in chamotte clay.
Albert Thiry (1932 to 2009) was born in Nice. In 1943, his family settled in Vallauris, the celebrated French potters’ village, and he went on to study at the city’s École des Arts Décoratifs. He trained as an apprentice across several Vallauris pottery workshops, including under Charles Voltz, before joining the Tapis Vert atelier in 1956 as a decorator, under Claire and René Batigne. There, he met the artists Marcel Vertès and Anton Prinner, the latter introducing him to sculpture. He married the decorator and model maker Pyot Gavaudan, and together they founded their own workshop in Vallauris in the early 1960s, producing both decorative tableware and lighting alongside purely sculptural work, including dreamlike figures, animals, and mythology-inspired forms.
Selected exhibitions and recognition
1971 Honorary diploma, Vallauris Biennial.
1966 to 1974 Participant, Vallauris Biennial.
His work is documented in several published references on French decorative arts of the period, including Marie-Pascale Suhard’s Pyot et Albert Thiry, les artistes de Vallauris, deux vies, une œuvre (2005), Anne Lajoix’s L’âge d’or de Vallauris (1995), and Création en France: Arts décoratifs 1945 to 1965 (2009).
